1. Trauma and the Dissolution of Linear Time in Mahesh Dattani’s The Girl Who Touched the Stars
   Heemal Pandey and Dr. Kalpana Roy Paul

2. The Double Burden of Caste and Gender in Dalit Women’s Writing
   Dr. Sabina

3. Psychic Conflict and Cultural Selfhood in Avni Doshi's Burnt Sugar
   Jyoti Swami

4. Echoes of the East End: Historical Trauma and Fascist Friction in Wesker’s Trilogy
   Dr. Subhash

5. From Social Exclusion to Human Dignity: Childhood, Class, And Compassion in Katherine Mansfield's The Doll's House

   Dr. K.Premabharathi

6. Congregating Indigenous Epistemologies: Badal Sircar’s Third Theatre and the Critical Potential of the Indian Knowledge System

   Dr. Subham Ganguly

7. Struggle of a Newcomer for Survival in the Hijra Community: A Study of A. Revathi’s The Truth About Me: A Hijra Life Story

   Chehak Arora , Dr Shrutimita Mehta and Dr Payal Khurana

8. Choosing Selfhood Against the State: Existentialist Resistance in Lauren Oliver's Delirium

   Ravindra Kumar Mishra

9. Digital Selves: Transgender Identity and Makeup Narratives in Kerala’s YouTube Culture

   Anakhasree S R

10. Red Soil and Regenerative Futures: Tourism, Cultural Landscapes, and Inclusive Regional Development in Birbhum District, West Bengal

    Dipankar Sinha

11. Private Bonds, Public Ruptures: Colonial–Colonized Intimacy and Gendered Agency in M.K. Binodini’s The Princess and the Political Agent

    Viola Kshetrimayum and Prof. Sanamacha Sharma

12. The Flavours of Exile: Culinary Memory and Refugee Identity in Kallol Lahiri's Indubala Bhaater Hotel

    Shibani Gorai

Volume 3 | Issue 3 | June 2026